Farbeffekte

Farbeffekte ermöglichen druckspezifische Anpassungen, wie die Reduzierung der Gesamtfarbdeckung oder die Erhöhung der Sättigung für ungestrichenes Papier. Wenden Sie sie vor dem Ausschießen an, damit Ihre Kontrollstreifen korrekt bleiben.

Best for:FarbkorrekturDruckanpassungenPresseprofile
Farbeffekte — Passt Helligkeit, Kontrast und Farbe an oder wendet Effekte an.

Farbeffekte

Tool page

Passt Helligkeit, Kontrast und Farbe an oder wendet Effekte an.

Farbeffekte ermöglichen druckspezifische Anpassungen, wie die Reduzierung der Gesamtfarbdeckung oder die Erhöhung der Sättigung für ungestrichenes Papier. Wenden Sie sie vor dem Ausschießen an, damit Ihre Kontrollstreifen korrekt bleiben.

Best for:FarbkorrekturDruckanpassungenPresseprofile
How It Works

Farbeffekte ermöglichen druckspezifische Anpassungen, wie die Reduzierung der Gesamtfarbdeckung oder die Erhöhung der Sättigung für ungestrichenes Papier. Wenden Sie sie vor dem Ausschießen an, damit Ihre Kontrollstreifen korrekt bleiben.

Brightness:Overall lightness. 100 = unchanged. Reduce to ~80 for richer prints on bright white paper; increase to ~120 to lighten dark scans. Affects all tones uniformly: not a curves adjustment.
Contrast:Tonal range expansion. Values above 100 push shadows darker and highlights brighter. Useful for flat scans or photos that lack punch. Values below 100 compress the tonal range: useful for muting harsh images.
Saturation:Color intensity. 0 = no color (grayscale). 100 = original. 150+ = boosted vibrance. Be careful above 160:CMYK conversion of oversaturated RGB can produce unprintable values.
Grayscale:Luminance-based desaturation. Useful for creating grayscale versions of color pages for B&W printing. At 100%, the result respects perceptual luminance weights (R:0.299, G:0.587, B:0.114).
Rasterize DPI:Higher DPI = better quality but larger file size and slower processing. 300 DPI is the standard for offset and digital printing. 150 DPI is fine for proofing or web only.
Color Effects in PDF Press imposition software — options panel beside the live imposed sheet

Farbeffekte tool applied. Options panel on the left, imposed result on the right. Click to zoom.

Options Guide
Color Adjustments

Fine-tune brightness, contrast, and saturation of the page content.

Brightness (0–200): 100 = original. Below 100 darkens, above 100 lightens. Contrast (0–200): 100 = original. Higher values increase the difference between light and dark tones: useful for washed-out scans. Saturation (0–200): 100 = original. 0 = fully desaturated (grayscale equivalent). Above 100 boosts color intensity.

Effects

Apply creative color effects: grayscale, warm tone, invert, or hue shift.

Grayscale (0–100%): progressively removes color information. 100% = full grayscale: an alternative to desaturation that uses a luminance-weighted conversion. Warm Tone (0–100%): applies a sepia/warm cast:20–30% adds subtle warmth, 100% is full vintage sepia. Invert (0–100%): reverses tonal values. 100% = full negative. Hue Rotate (0–360°): shifts all colors around the color wheel. 180° inverts hue (red↔cyan, blue↔yellow). Effects are cumulative and applied in order.

Output Quality

Set the rasterization resolution for the color-graded output.

Color grading rasterizes targeted pages: vector content (text, paths, gradients) becomes a bitmap image. Choose DPI based on your output: 150 DPI for screen/web (fast, small files). 300 DPI for standard commercial print. 600 DPI for high-detail fine art or text-heavy pages (large files, slow processing). Warning: if Color Convert is also in the pipeline, pages will be rasterized twice: compounding quality loss.

Pages

Specify which pages to process using a range expression.

Examples: 'all' = every page. '1-5' = pages 1 through 5. '1,3,5' = specific pages. '1-10 odd' = odd pages 1-9. '2-20 even' = even pages 2-20. 'last' = last page. 'last-2' = third from last. Ranges are 1-based. Combine with commas: '1-5, 8, 12-15'.

Configurations & Variations
Grayscale Conversion

Select the grayscale preset to convert all pages to monochrome. Good for checking tonal range before sending to a black-and-white printer, or previewing how a color design will reproduce in newspaper (single-ink) printing. If any colored elements become indistinguishable in grayscale, they need more tonal separation in the original design.

Color Effects settings panel in PDF Press imposition software (Grayscale Conversion configuration)

Settings to change

Color Effects in PDF Press imposition software (Grayscale Conversion configuration) — options panel beside the live imposed sheet

Full app view

Imposed Color Effects result preview in PDF Press imposition software (Grayscale Conversion configuration)

Output result

High Contrast Effect

Apply the high-contrast preset to push light and dark areas further apart. Useful for checking whether barcodes meet the minimum contrast ratio for scanner readability, or whether reversed-out text on a tinted background will survive halftone dot gain on press.

Color Effects settings panel in PDF Press imposition software (High Contrast Effect configuration)

Settings to change

Color Effects in PDF Press imposition software (High Contrast Effect configuration) — options panel beside the live imposed sheet

Full app view

Imposed Color Effects result preview in PDF Press imposition software (High Contrast Effect configuration)

Output result

Expert Tip

Colour grading handles press-specific adjustments, such as reducing total ink coverage to 300% or below for heatset web, or boosting saturation for uncoated stock.

Grading applied after imposition also affects marks and colour bars. Apply it to source pages before imposition so your control strips stay accurate.

Try Farbeffekte in your browser

PDF Press runs entirely client-side. Upload a PDF, apply Farbeffekte, and download the result — no upload to a server, no sign-up required.

Open PDF Press